Glorious Noise The OC
Variety tells us that Marissa Cooper is going to star in the upcoming Russian coming-of-age drama "Finding t.A.T.u," which starts shooting in Moscow later this month. The movie is adapted from the novel "t.A.T.u come back" by Russian writer A....
By Jake Brown June 6, 2007
Our old friend Alexandra Patsavas, the music supervisor for the OC, Carnivale, and Grey's Anatomy, is forming her own record label, Chop Shop Records, as an imprint of Atlantic Records. "A label seems like a natural extension of what a...
By Jake Brown April 3, 2007
Admit it: you’ve already forgotten about them.
By Johnny Loftus March 1, 2007
Welcome to late-night Lifetime syndication, bitch! Fox has finally shit-canned The O.C., and the final episode will air February 22.
By Johnny Loftus January 4, 2007
It's been a while since we've updated you on what's shaking in Orange County, but Season Three sucked. In what may be the last "OC" piece you'll ever read on GLONO, the tag-team of Johnny Loftus and Jake Brown pound the final nails in the coffin.
By Johnny Loftus May 19, 2006
The "OC" is back. Chino just wants to punch in, but he's destined to punch people out instead, while the Doe Eyed Fawn uncovers an alternate universe at her big bad new public school. Seth and Summer spend their time breaking up illicit teacher/student affairs via their sparkly T-Mobile Sidekick.
By Johnny Loftus November 8, 2005
Fake dream sequences, shooting motherfuckers for love, two-faced harpies and mothers who won't return to their children - "The OC" season three is some gothic-ass shit. Book it.
By Johnny Loftus September 9, 2005
Things got pretty soapy this season on "The OC," but it ended with a bang in a series of bitchy slap fights, funerals, interventions, and the Doe Eyed Fawn putting a bullet into the Inland Street Thug.
By Johnny Loftus May 24, 2005
So what's a band gotta do to get a song on The OC? Apparently, just have your publicist send them a copy of your record. Oh yeah, it helps if your music is slinky and dark and dancey and sexy.
By Sarah Horne May 16, 2005
By Derek Phillips April 5, 2005
You know what the best job in the world has got to be? Music Supervisor. Except when you have to do interviews to promote your show's latest cd release. Glorious Noise talks to Alexandra Patsavas.
By Jake Brown April 5, 2005
After a few weeks of caving in to lame clichés of standard TV drama, a hard rain finally fell over Newport and washed away some of the bullshit that's been building up over previous episodes.
By Derek Phillips March 1, 2005
Settling in are Alex and Marissa. They both know the Doe Eyed Fawn is a few ropes of drool away from the nuthouse, but in the meantime they're going to get their licks.
By Johnny Loftus February 9, 2005
The "OC" seems to be setting up its finish line run with some nice new plot twists and a few old faces to punch. There's comics, controversey, and Molotov cocktails in the kitchen sink of Sandy's soul.
By Johnny Loftus January 31, 2005
Great bone structure, high fashion, boozing like laid off stevedores - these things the "OC"'s principals know. But maintaining a relationship? Hell no, they suck ass at that. Is it time to switch teams and start fresh?
By Johnny Loftus January 26, 2005
Sandy's spinning plates, Seth's getting action, and Summer lost her brain - it'll take some singing or the Fonz to fix all this.
By Johnny Loftus January 17, 2005
Glorious Noise on being bad, kissing sisters, and the return of Marissa McLushypants. Happy New Year!
By Johnny Loftus January 7, 2005
In this hectic time of holiday frenzy, it's tough to set aside the time for good bad television. In case you missed anything, Glorious Noise offers this mid-season "O.C." recap.
By Johnny Loftus December 23, 2004
"OC" season two starts to find its footing. Marissa's making friends with the bottle and the yard guy, Summer's standing up to Seth's geek boy charm, and the Cohens are a Gallagher eyebrow hair away from losing it all.
By Johnny Loftus November 15, 2004
The "OC" returns, buoyed by a late-season surge in popularity during its debut run and a stiff promotional campaign in the interim. The premiere proves it's still one of tv's best-written shows. But will winning the popular vote kill its creativity?
By Johnny Loftus November 8, 2004
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